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Faust Online

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Faust - Der Tragödie Erster Teil - Goethe

The earliest forms of the work, known as the Urfaust , were developed between and ; however, the details of that development are not entirely clear.

Urfaust has twenty-two scenes, one in prose, two largely prose and the remaining 1, lines in rhymed verse. The manuscript is lost, but a copy was discovered in The first appearance of the work in print was Faust, a Fragment , published in Goethe completed a preliminary version of what is now known as Part One in Its publication in was followed by the revised —29 edition, the last to be edited by Goethe himself.

Goethe finished writing Faust, Part Two in ; it was published posthumously the following year. In contrast to Faust, Part One , the focus here is no longer on the soul of Faust, which has been sold to the devil , but rather on social phenomena such as psychology , history and politics , in addition to mystical and philosophical topics.

The second part formed the principal occupation of Goethe's last years. The original German title page of Goethe's play read simply: "Faust.

The addition of "erster Teil" in English, "Part One" was retrospectively applied by publishers when the sequel was published in with a title page which read: "Faust.

The two plays have been published in English under a number of titles, and are usually referred to as Faust , Parts One and Two.

Faust, Part One takes place in multiple settings, the first of which is Heaven. The demon Mephistopheles makes a bet with God: he says that he can lure God's favourite human being Faust , who is striving to learn everything that can be known, away from righteous pursuits.

The next scene takes place in Faust's study where Faust, despairing at the vanity of scientific, humanitarian and religious learning, turns to magic for the showering of infinite knowledge.

He suspects, however, that his attempts are failing. Frustrated, he ponders suicide, but rejects it as he hears the echo of nearby Easter celebrations begin.

He goes for a walk with his assistant Wagner and is followed home by a stray poodle. In Faust's study, the poodle transforms into Mephistopheles.

Faust makes an arrangement with him: Mephistopheles will do everything that Faust wants while he is here on Earth, and in exchange Faust will serve the Devil in Hell.

Faust's arrangement is that if he is pleased enough with anything Mephistopheles gives him that he wants to stay in that moment forever, then he will die in that moment.

When Mephistopheles tells Faust to sign the pact with blood, Faust complains that Mephistopheles does not trust Faust's word of honor.

In the end, Mephistopheles wins the argument and Faust signs the contract with a drop of his own blood. Faust has a few excursions and then meets Margaret also known as Gretchen.

He is attracted to her and with jewelry and with help from a neighbor, Martha, Mephistopheles draws Gretchen into Faust's arms.

With Mephistopheles' aid, Faust seduces Gretchen. Gretchen's mother dies from a sleeping potion , administered by Gretchen to obtain privacy so that Faust could visit her.

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Cirque du Slots. A hybrid between a play and an extended poem, Goethe's two-part " closet drama " is epic in scope.

It gathers together references from Christian, medieval, Roman , eastern, and Hellenic poetry, philosophy, and literature.

The composition and refinement of Goethe's own version of the legend occupied him, off and on, for over sixty years. The final version, published after his death, is recognized as a great work of German literature.

The story concerns the fate of Faust in his quest for the true essence of life " was die Welt im Innersten zusammenhält ". Frustrated with learning and the limits to his knowledge, power, and enjoyment of life, he attracts the attention of the Devil represented by Mephistopheles , who makes a bet with Faust that he will be able to satisfy him; a notion that Faust is incredibly reluctant towards, as he believes this happy zenith will never come.

This is a significant difference between Goethe's "Faust" and Marlowe's; Faust is not the one who suggests the wager. In the first part, Mephistopheles leads Faust through experiences that culminate in a lustful relationship with Gretchen, an innocent young woman.

Gretchen and her family are destroyed by Mephistopheles' deceptions and Faust's desires. Part one of the story ends in tragedy for Faust, as Gretchen is saved but Faust is left to grieve in shame.

The second part begins with the spirits of the earth forgiving Faust and the rest of mankind and progresses into allegorical poetry.

Faust and his Devil pass through and manipulate the world of politics and the world of the classical gods, and meet with Helen of Troy the personification of beauty.

Finally, having succeeded in taming the very forces of war and nature, Faust experiences a singular moment of happiness. Mephistopheles tries to seize Faust's soul when he dies after this moment of happiness, but is frustrated and enraged when angels intervene due to God's grace.

Though this grace is truly 'gratuitous' and does not condone Faust's frequent errors perpetrated with Mephistopheles, the angels state that this grace can only occur because of Faust's unending striving and due to the intercession of the forgiving Gretchen.

The final scene has Faust's soul carried to heaven in the presence of God by the intercession of the "Virgin, Mother, Queen, Goddess kind forever Eternal Womanhood.

The story of Faust is woven into Dr. Thomas Mann 's Doktor Faustus: Das Leben des deutschen Tonsetzers Adrian Leverkühn, erzählt von einem Freunde adapts the Faust legend to a 20th-century context, documenting the life of fictional composer Adrian Leverkühn as analog and embodiment of the early 20th-century history of Germany and of Europe.

The talented Leverkühn, after contracting venereal disease from a brothel visit, forms a pact with a Mephistophelean character to grant him 24 years of brilliance and success as a composer.

He produces works of increasing beauty to universal acclaim, even while physical illness begins to corrupt his body. In , when presenting his final masterwork The Lamentation of Dr Faust , he confesses the pact he had made: madness and syphilis now overcome him, and he suffers a slow and total collapse until his death in Leverkühn's spiritual, mental, and physical collapse and degradation are mapped on to the period in which Nazism rose in Germany, and Leverkühn's fate is shown as that of the soul of Germany.

Benet's version of the story centers on a New Hampshire farmer by the name of Jabez Stone who, plagued with unending bad luck, is approached by the devil under the name of Mr.

Scratch who offers him seven years of prosperity in exchange for his soul. Jabez Stone is eventually defended by Daniel Webster , a fictional version of the famous lawyer and orator, in front of a judge and jury of the damned, and his case is won.

Murnau , director of the classic Nosferatu , directed a silent version of Faust that premiered in Murnau's film featured special effects that were remarkable for the era.

Many of these shots are impressive today. In one, Mephisto towers over a town, dark wings spread wide, as a fog rolls in bringing the plague.

In another, an extended montage sequence shows Faust, mounted behind Mephisto, riding through the heavens, and the camera view, effectively swooping through quickly changing panoramic backgrounds, courses past snowy mountains, high promontories and cliffs, and waterfalls.

In the Murnau version of the tale, the aging bearded scholar and alchemist, now disillusioned—by a palpable failure of his antidotal, dark liquid in a phial, a supposed cure for victims in his plague-stricken town—Faust renounces his many years of hard travail and studies in alchemy.

We see this despair, watching him haul all his bound volumes by armloads onto a growing pyre; he intends to burn everything.

But a wind comes, from offscreen, that turns over a few cabalistic leaves—from one of the books' pages, sheets not yet in flames, one and another just catching Faust's eye.

Their words contain a prescription for how to invoke the dreadful dark forces. Following Faust heeding these recipes, we see him begin enacting the mystic protocols: on a hill, alone, summoning Mephisto, certain forces begin to convene, and Faust in a state of growing trepidation hesitates, and begins to withdraw; he flees along a winding, twisting pathway, returning to his study chambers.

At pauses along this retreat, though, he meets a reappearing figure. Each time, it doffs its hat—in a greeting, that is Mephisto, confronting him.

Mephisto overcomes Faust's reluctance to sign a long binding pact with the invitation that Faust may try on these powers, just for one day, and without obligation to longer terms.

It comes the end of that day, the sands of twenty-four hours having run out, after Faust's having been restored to youth and, helped by his servant Mephisto to steal a beautiful woman from her wedding feast, Faust is tempted so much that he agrees to sign a pact for eternity which is to say when, in due course, his time runs out.

Eventually Faust becomes bored with the pursuit of pleasure and returns home, where he falls in love with the beautiful and innocent Gretchen.

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Faust Online - Johann Wolfgang Goethe: Faust

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